![]() Click on ‘Render All’ and Resolve will export your project, ready to be shared with others. This will make it appear in the panel to the right (you can add as many renders as you please to the queue). Once you’re happy with all the values, click on ‘Add to Render Queue’. You could leave everything on automatic, aside from the format: change it from ‘QuickTime’ to ‘MP4’ (it should make no difference as QT is essentially MP4 these days, but to guarantee it’ll work on all platforms without a hitch, it’s best to make the switch: better safe, than sorry). Give your file a name, and choose where to save it. Step 3: TransitionsĪs we're just looking at the basics here, let’s head on over to the ‘Deliver’ page (the last icon at the bottom of the interface, shaped like a rocket).Ĭheck the left sidebar, and make sure it’s set to ‘H.264 Master’. You can of course also add a clip onto another video layer, to offer you more flexibility. The default behaviour is overwrite, so if you drag a clip over an existing one, the new clip will replace the previous one. If you want to insert a selected clip in between two existing ones, select it, then hit the F9 key (or click on the Insert icon, immediately above the timeline). This helps make sure there are no gaps between clips. As you drag a new clip to the timeline, you’ll find that it snaps to the end of those already present. You can mouse-scroll through your footage’s thumbnail, as well as set in and out points, as before. You’ll find the interface more crammed with additional tools: you have transitions and effects lower left, your media, top left, clip properties, top right, and audio mixing lower right. ![]() You can carry on adding clips to your timeline in the ‘Cut’ Page, in the same way as described above, but let’s explore ‘Edit’ now, by clicking on its icon at the bottom of the interface, or by going to Workspace > Switch to Page > Edit.
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